In an attempt to do something vaguely creative each day inbetween being glued to my computer screen for work, I've found some instant gratification making repeat patterns with polyprint. Even quicker than rubber stamps (although not as long lasting). I quite like the rough and ready print quality you get from fast stamping.
Working on a new range of wrapping paper using rubber stamped patterns. Bit of a learning curve working out the repeat tiling, but it's amazing to see what patterns can be made with some really simple carved stamps (and the help of Photoshop!)
Really chuffed to have some of my prints featured in Stephen Fowler’s wonderful new book ‘Rubber Stamping’. The found object and plasticine prints were created on Stephen’s Primitive Printmaking summer school course at UWE in 2014, and it’s very exciting to see them included in the book. I may be biased but I can highly recommend getting hold of a copy - it’s absolutely jam packed with unusual project ideas and inspiration for all kinds of low tech printmaking. As Stephen explained in an interview with Sarah Bodman in the latest issue of ‘Printmaking Today’: “(the book is) very much in the spirit of ‘60s and ‘70′s Batsford art books - to share an open recipe rather than say ‘you have to do it this way’. It’s about inspiring people with examples and letting them think how they will use the process; it’s a beginning of something rather than an end.”
Spent a very enjoyable Saturday afternoon helping out at Stephen Fowler’s drop-in rubber stamp workshop at the Arnolfini in Bristol. It was busy all afternoon, and by 5 o’clock two huge paper-covered walls were decorated with an array of beautiful stamps. Really inspiring to see everyone’s work and the excitement it generated - the instant gratification of rubber stamps seems to appeal to all ages.
Using up every last offcut of roller printing
Cheeky wee Scottish Oystercatcher from my holiday sketchbook to round off the working week.
Very excited to learn that Margaret Atwood has tweeted about ‘Serena Joy’ the collaborative World Book Night rubber stamp project, inspired by her book ‘The Handmaid’s Tale’. A copy of the box of prints is now winging its way to her courtesy of Sarah Bodman. Many thanks to fellow stamper Linda Williams for writing to Margaret to let her know about the project. Have also just heard that Tate Britain will be accepting a copy of ‘Serena Joy’ as a donation to their artists' books collection. Great to hear of ripples from a project long after you think it’s completed...
Back south of the border again after a wonderful fortnight up in the Scottish Highlands. Hills, lochs, big skies and lots of long walks. Just the ticket.
A brilliant day yesterday teaching a rubber stamp workshop for MA Printmaking students at UWE. The theme was rockets and robots… chosen as an excuse to use the lovely stash of metallic stamp pads acquired by the university earlier in the year. It was also a good subject for looking at building up an illustration out of component parts. Really impressed with the quality and variety of the finished stamps, and thanks to some hard graft and teamwork, we ended up with an edition of seven stamped concertina books. Many thanks to Liz, Sophie, Linda, Rozzie and Vicky for a mighty fine end result.
Preparing for a rubber stamp workshop I’ll be running for MA Printmaking students at UWE next week. Space age stamping - it’s a whole new frontier, with metallic inks and everything!
My ‘pleasure is an egg’ rubber stamp - part of Sarah Bodman’s wonderful collaborative project to mark World Book Night 2016. Forty rubber stamp prints Inspired by ‘The Handmaid’s Tale’ by Margaret Atwood, ‘Serena Joy’ is a box of forty, eclectic rubber stamp prints. More details on the project, including the production process, can be found here, and also here. With thanks to Mette-Sofie D. Ambeck for expertly printing my egg!
One silly mistake and a whole book is ruined. Bah.
Spent a very enjoyable few hours on Saturday at the British Printing Society Fair… over 40 stalls of letterpress and printing paraphernalia. A very generous goody bag was given on arrival containing all manner of printed matter. Picked up a couple of bargains - two vintage boxes of envelopes (£2!) and an amazing book called ‘A Handbook of Type and Illustration’ (by John Lewis, 1956) which includes beautiful reproductions of work by Edward Bawden, Edward Ardizzone and George Chapman. The highlight was a talk by Martin Andrews from the University of Reading who spoke about the life and work of Robert Gibbings. Totally fascinating, and a real privilege to see print proofs of collaborations with Eric Gill from the Golden Cockerel Press handed round.
A fiddly, but enjoyable, few hours proofing linocuts for two new books.
Using rubber stamp off-cuts