Some lovely photos from artist Carmen Garaghon’s residency trip to Rajasthan in India. She came along to the folded book workshop Cathey Webb and I ran at the MakeSpace at Bristol Museum and Art Gallery back in August, and now has been teaching the trouser book (with folded cover) format to people she’s met out in India. She’s planning on leaving behind her stamps and rollers in the hope that they can set up their own book making collective. Very exciting! You can find out more about Carmen’s travels on Instagram (@carmengaraghon)
Latest rubber stamp illustration in my exchange of words with Eva Hejdstrom - T is for tjuvlyssna, a Swedish word meaning eavesdropping.
Really fun afternoon in mid-October running a workshop in Church Stretton in Shropshire. Creating patterned papers with foam blocks on sugar paper, then making two single sheet books with patterned covers. We made a snake book, and then a pocket accordion (thanks to Hedi Kyle and Ulla Warchol for their amazing book ‘The Artof the Fold’ for the instructions for a separate cover - worked a treat!) A very creative bunch, and it was really interesting to see all the different patterns that were created. Many thanks to Kate Johnson for arranging the workshop.
Finally finding time to return to my collage project using paper rescued from the recycling box. The final box of collages will form part of my submission for the ‘Found’ exhibition at UWE in December.
Really pleased to see my ‘Home’ pocket concertina book as part of Interruptions - an exhibition of prints and artists' books curated by Sarah Bodman and Elena Zeppou, at the invitation of the Greek Printmakers Association (E.E.X.) for Athens Print Fest “18” 4th edition – nóstos / nostalgia. It’s at the Felios Foundation in Athens, Greece, and runs from 3 -27 October 2018. If a trip to Greece is not on the cards, you can always browse a pdf exhibition catalogue here.
It’s been a tricky project to work on… lots of unforeseen technical hitches, but my edition of 15 small Frankenstein books is finally complete. Digitally printed versions of my embroidered illustrations, with hand-detailed frames and an accompanying extract from the original text with each one. The books have vintage endpapers and cloth-covered hard covers with laser foiled belly bands. Some are already spoken for, but there are now five available in my online shop. Just £20 each, so snap one up while you can if embroidered dead people are your thing...
Latest rubber stamp illustration in my Anglo-Swedish ‘exchange of words’ collaboration with Eva Hejdstrom ... S is for scission - the action or state of cutting or being cut. The more I do of these, the more I like the wonkier registration, and the use of negative space seems to becoming a bit of a thing.
Today marks the centenary of the death of my great great uncle, killed in action in the First World War. John Douglas Robertson, known as Dougie, was born in Reedsmouth in Northumberland in 1898, and was just 19 years old when he died on a battlefield in northern France. The middle name Douglas has subsequently been carried by my granny (born just two weeks after he died), my father and my nephew. I visited his grave in 2007, and was touched by an inscription I read in the cemetery: ‘To live in hearts we leave behind is not to die’ (from a poem called Hallowed Ground by Thomas Campbell). I have been gathering material for a small book to commemorate his life... I’m starting work on it today, and I hope to complete it by Armistice Day. Gone but most definitely not forgotten.
R is for 'rivning' meaning demolition in Swedish. The latest rubber stamp illustration in my 'exchange of words' collaboration with Eva Hejdstrom.
Many thanks to everyone who came along to the Make Space at Bristol Museum and Art Gallery yesterday. Cathey Webb and I had a busy and brilliant time teaching, exhibiting, selling and enthusiastically chatting about books all day. A real pleasure! Thanks also to @bristolmuseums for organising the Make Space programme alongside the Woman’s Hour Craft Prize exhibition - it’s been an inspiring showcase of local creative talent... it’s running until 2 Sept, so catch it while you can...
A box of book samples all ready to take along to the Make Space at Bristol Museum and Art Gallery tomorrow (23 August). If you’re in Bristol, come along and join @catheywebb and I for lots of bookish inspiration. We'll be teaching how to make five different single-sheet books, and you can also see (and buy) books we've made. Should be fun... The Make Space programme is running alongside the Woman’s Hour Craft Prize exhibition until 2 September, and is open daily 10.40 - 4.30. Find out more at www.bristolmuseums.org.uk
My book 'Memento mori' has been exhibited in Liverpool Central Library for the past few months (many thanks for the photos above from organiser Simon Ryder, taken by Robin Clewley). The exhibition finished this week, but will be moving to the Kirkby Gallery from 17 September - 26 January 2019. After that my book will be heading back to Bristol as the exhibition will be transferring to Bower Ashton Library at UWE. In the meantime, I'm working on a small edition of digitally printed concertina versions - the first of which is in another Frankenstein-themed exhibition in the US, at Asheville Bookworks in North Carolina which opened this week. As always, my books are more well-travelled than I am!
Having finally tidied my studio a little, I came across a pile of offcuts from my Frankenstein book earlier in the year. The original book they were cut from was The Journal of the Society of Architects from the 1930s... lots of incidental crops of different buildings. I decided to make a small one-off concertina book of these building crops with collaged text from other offcut pages. Inspired by the collage books of Daniel Lehan and the found poetry workshop by Jeremy Dixon I attended earlier this year... think this will fit the brief for ABC’s ‘Found’ book exhibition at UWE this winter.
Have just spent my ideal couple of days on a book making workshop at UWE run by the inimitable Guy Begbie. Snappily titled ‘Book Cartography: Using the Map as an Artistic Strategy Within Book Structures’ it was cutting, glueing and stitching to make books with old maps. Really enjoyable, and I’ve come away with lots of new ideas. Lovely group of fellow book makers too – very inspiring to see what everyone produced.
Latest rubber stamp illustration in my Exchange of Words collaboration with Eva Hejdstrôm - Q is for querist: someone who asks questions.
Miniature, digitally printed version of my embroidered Frankenstein book ‘Memento mori’ finished and posted off to North Carolina to be part of the Asheville BookWorks exhibition ‘It’s Alive: Frankenstein, 200 Years’. An ironic title in my case because the content of this book is most definitely not alive. Flat sheets were printed by printed.com on gesso paper, and I've bound them with bookcloth covered hard covers, vintage endpapers and a laser foiled belly band. I'm planning on making a small edition of these...
Completed just on time (as always) an embroidery for the very grand occasion of my mother-in-law’s 80th birthday in early July. Original flower designs by Yumiko Higuchi, adapted from his excellent book ‘Zakka Embroidery’.
In an attempt to do something vaguely creative each day inbetween being glued to my computer screen for work, I've found some instant gratification making repeat patterns with polyprint. Even quicker than rubber stamps (although not as long lasting). I quite like the rough and ready print quality you get from fast stamping.
Some early morning carving and stamping... the latest rubber stamp illustration in my exchange of words collaboration with Eva Hejdstrôm ... P is for ‘pratglad’ – Swedish for someone who is talkative. Nice textures printing onto laid paper, and a chance to use some of my many rubber stamp alphabets.
Bit of catching up to do on the blog, so a flurry of posts in one go... Here's the latest rubber stamp illustration in my collaboration with Swedish artist Eva Hejdstrôm. O is for O is for obstacle – a thing that blocks one’s way or prevents or hinders progress. Influenced by a misspent youth in the 1980s playing early computer games.